Last Saturday was Much Ado About Sebastapol (MAAS), where Sarah & I debuted Fockett & Cox. This was a different type of Renaissance faire, in that everyone was portraying one specific English village (Fenford, circa 1578), and the faire had an educational mission tied into local school’s curriculum. The artisan guilds (where we were stationed)
It’s a truth universally acknowledged that I don’t embroider (except recently by machine). But I sure can trace! So I drew out three sets of gauntlets to be embroidered by Mom (henceforth known as the Fockett & Cox Sweatshop ;-). Adorable Elizabethan designs based on two embroidery books I bought for her at Costume College
In one of my insomniac moments last night, I fantasized about making a new black 1570s gown to wear to Much Ado About Sebastapol. *sigh* There are many things stacked against that happening, the biggest being I’m critically low on time, and second, I’d need a new pattern draft, ideally fitted by someone better than
At the San Jose Renaissance Faire this August, Sarah and I finally came up with a fantastic idea for what our renfaire personas and gig would be. This was the first renfaire either of us had worked in a million years, and the first one all of us were working together under the “guild” of