Posts Tagged ‘makin’ a muslin’

I like big sleeves & I cannot lie

The only kind of pattern drafting I enjoy is making sleeves. Not sure why, but it’s something I feel like I can handle. Maybe because the fit isn’t as weirdly tricky as going over the bust & around the waist. There’s only the armscye/sleeve head to deal with & then it’s done. The fit is hard to screw up.

But best of all, sleeves are crazy! They come in so many shapes & sizes & wacked-out designs. Sleeves can pump up the volume. I love historical eras with big, funny sleeves. Like this one, yay!

For the Medici gown, I started with my trusty simple Elizabethan sleeve pattern, scaled up from Hunnisett. It’s the basic sleeve on page 64, a straight, one-seam 16th-century sleeve. I’ve used this one perhaps a dozen times, & it always works. Well, admittedly, my last copy of it was a little short (prob. because I had put a cuff on it), so I did re-draw the pattern so it was even more perfect.

I wanted the sleeve to have a slashed puff like in the Isabella portrait, so I pulled out the patterns I’d made for my Valois gown‘s puffed sleeve & the slashed puff sleeve on my Elizabethan loose gown. By combining the size of these two, I got the right size for the Medici sleeve, after the second muslin pin-fit mockup.

Finally got to cut out the black silk for the base sleeve & the slashed puffs. Since I have to trim all the slash pieces before assembling, I realized I should measure out how much of the wide silver lace was left (I can’t get anymore; it was on a sale table at Michael Levine’s in the L.A. Garment District last January). Eeep! There was not enough lace to put it on both sleeves, plus along the front skirt edge. And I really want the lace along the skirt to tie the look of the bodice & skirt together. *sigh*

Many other trim options were considered & much measuring was done … then I pulled out some narrow silver lace from The Stash. It’s this cheap, mylar-y stuff that I have scads of & have actually tried to sell in the past. Not sure when or where I got it, maybe in a grab bag or lot with other stuff or online where it looked less fakey. However, when I placed it next to the expensive silver lace… hmm… it didn’t look too bad… in fact… the color is identical & the plasticky-ness isn’t really apparent! Then, add the darker silver braid next to that… and… well… the cheap stuff passes muster imnsho!

So the solution appears to be using two rows of the narrow silver lace with the darker silver braid in the center on each slash strip. Use the wide silver lace on the band below the puff & possibly along the sleeve’s seam.

Oh yeah, & pearl clusters on the slash strips, along the sleeves, on the bodice, & down the front skirt edges too. Oi.

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Now that’s how a pattern should work!

The J.P. Ryan 18th-century jacket pattern is seriously made of WIN. I idly did a mockup this evening, on a whim. The size fit true, went together easily (didn’t even need to consult the instructions), & *drum roll please* it fits!

DOOOD. So I cut it out of the fashion fabric. No idea if I’ll have enough time to make the jacket *and* the required petticoat *and* trim a new hat all before Sunday — especially when I really should be giving the whole house a major cleaning for the houseguests arriving on 7/3 & staying 2 weeks.

But a crazyperson can dream.

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No promises but…

Pink Florentine-ish muslin

Pink Florentine-ish muslin

I made a muslin tonight. It might be the bodice of La Junesse. I have appropriate fabric and lining even (the muslin will *be* the lining, if it fits) in The Stash. I may even have trim in The Stash. No ruffs necessary, although I probably have material for that too.

But no rush. Just testing things out. I actually have one SCA-appropriate gown finished and never worn, plus another one on commission, thus plenty of things to wear for my next event (which won’t be until October Crown, most likely).

I just kinda sorta felt like making something. Maybe. A little bit. Perhaps.

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Sewing report or “some things shouldn’t take this this long”

Spent yesterday patterning Thomas’ doublet. FAIL. Scaled up the Tudor Tailor version using the very last scraps of my tracing paper.

When I could finally try the muslin on the ever-resistant Thomas, omg did it not fit. UGH. Somehow I was able to scale up and resize the pants pattern with no issues, but totally could not replicate that success with the doublet. Hah, and I thought the doublet would be the easier of the two! Back to the drawing board, literally.

This morning, I re-drafted the doublet pattern. I’ll sew up the muslin, but I realized I won’t be able to fit Thomas till, geez, don’t know when. Today is the Olympics gold-medal hockey game, then he plays hockey, then it’s the closing ceremony — too many distractions. He works very late on Monday due to a filming gig (in fact, I need to figure out a ride home from work!). I think he has another gig on Tuesday, not sure, and then he plays hockey Wednesday night. Thursday night, we have a date planned. Geez, uh, Friday fitting?

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Holy moly, boy’s clothes

In addition to taking apart the bathroom sink to clean it, getting groceries, making coffee for Thomas and giving him an unexpected Valentine’s Day card (as we’ve pretty much sworn off this holiday, being cranky old married people), I *also* patterned and mocked up 16th-century pants for him! Whew. Tired now.

I scaled up the Venetian hose from The Tudor Tailor with some mods from Janet Arnold (from whence that pattern originally comes). Had to make quite a few adjustments to get the pattern fit closer to Thomas’ size, as even TT uses some mythical “average” model size that’s nowhere near modern American shapes. Then I sewed a muslin and made him try it on (rather like pulling teeth, that is). My muslin fit was pretty damn fabulous, I must admit. I changed some things to better suit my vision of how he should look in these pants (he doesn’t care and, of course, fidgeted and insisted the original muslin was fine as-is). With the boy out of the way and out of the muslin, I transferred the changes to the paper pattern.

Don’t think I’ll do a second muslin because the changes are fairly cosmetic. Also see: trouble of getting boy into muslin. It’s *much* easier to get Thomas into actual costumes!

Not sure if I’ll cut actual fabric tonight, though Thomas just arrived with Starbucks so if I catch a buzz, more work could happen tonight as it’s like a second Saturday with the holiday tomorrow…

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Drafty in here (har har)

Pattern-drafting is not my strong suit, but I don’t live near enough to, well, anyone it seems for me to easily beg/barter that service on a regular basis. Thus, I had to start on my own for to make this 16th-century doublet.  *sigh.*

I was inspired by what I could suss out of the seam lines in Janet Arnold’s female doublet for a young girl c. 1585. It’s not entirely clear what’s going on in the front — there is a curved front closure but also trim angled along the middle front, and they loved to trim along seams in this era.

More importantly, when I laid muslin over my corseted dressform, I needed to add some kind of seam in the middle front to get any kind of flatness. That’s just the way the fabric and the body went. (FYI: I’m using effigy-style stays here (made by the fantastic Sarah.)

I ended up with essentially a princess seam from shoulder to garment hem. Seven pattern pieces total. Fit ok on the dressform and on me after, oh, a wastebin full of muslins to tweak the side and back pieces in particular.

At this point, I couldn’t decide what I wanted to do with the neckline — either a 1610s-style low neck or an earlier high neck, perhaps even a sexy 1570s Italian-esque folded-back look. Also, the waistline is entirely unfinished, not sketched in at all. I left all the pieces super-long so I could draw in where I wanted it to go later.

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Thomas’ Carnevale outfit

I got a mockup done of Thomas’ frockcoat for Carnivale. Now I can send the fabric and pattern out to Donna, since she offered to do the sewing as my birthday gift.

Using the Reconstructing History 1760s frock coat pattern, and surprisingly it didn’t suck. Sure, I just made a quick muslin, but it essentially worked. At least, once we got past user error! I accidentally sewed the back pieces together backwards and had Thomas try it on. I thought, man, this fits wonky in the armscye and and there’s a pokey bit in the center back that really should be smoothed out. Maybe if I go up a size, that’ll help the snugness under the arms … and then when I cut out new back pieces, I realized my problem. Doh!

Second try was a good fit, although the pattern seemed to run small — I settled on a size two sizes larger than what should have been his size according to the measurement chart on the pattern. I started out one size larger with the muslin (always a good practice, btw). He was trying on the muslin over a T-shirt and it *just* fit with adequate ease for arm/shoulder movement, so with a full-sleeved shirt and waistcoat, he’d need more room.

And since I haven’t included it yet, here’s the fabric for his coat:

Thomas' coat fabric

Thomas' coat fabric

It’s a mystery fiber content stuff, found at Jomar Fabrics in a skanky part of Philadelphia, with help from Donna and Kat, when I was in town on a business trip in June. Great deal on a lovely color and pattern. Thomas likes it a lot. It’ll look great with the black shirt and breeches he already has — would like some black velvet for the cuffs and pockets to tie it all together.

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Reminders to self

Jacobean jacket muslin

Jacobean jacket muslin

There’s no point even considering hand-sewing something when the pattern you’re using (Jacobean Jacket by Dawn Anderson Designs) isn’t terribly accurate to begin with. It’s not horribly inaccurate — I can see exactly why the designer chose to put a seam there and that *is* accurate for doublet bodices in the era, even though it’s not found in the little jackets. But it’s an obvious enough inaccuracy that anyone who might be impressed by hand-sewing would be automatically bothered by the seam placement.

(Looking at pix of extant jackets and the one in Janet Arnold’s Patterns of Fashion, they don’t have a (essentially a shallow princess) seam down the front. But an Elizabethan doublet bodice could use this kind of seam, afaik; so I can see why it’s there. Also, the pattern does claim it’s a “modern fit, ” and the front seam makes for easier fitting than having a far-more-curved front edge and angled side piece.)

Furthermore, when you’re making the whole thing in an entirely (well, not entirely, it’s the right fiber content and style, just wrong color) inaccurate fabric, there’s even less point in doing something silly like hand-sewing. Or worrying about the inaccurate seams. FFS.

If I really gave a crap about that much vaunted “accuracy,” I wouldn’t be doing it my way to begin with. Bonus point: the muslin looks adorable and fit in the first try (note for Great Pattern Review: this one runs small; good thing I made it two sizes bigger “just in case”). I’m modifying the neckline just for the heck of it (prettier), though I want to see if any of my lace will fit first.

Honestly, what I care about and what most of us really care about is looking good. If historical accuracy were foremost, more folks would be making a lot more lower class stuff instead of strutting about in silks and jewels. Because most people in the past didn’t wear high fashion. It’s like reenactors the year 3000 only dressing in what Paris Hilton wore in 2008, even though most people in 21st century America wore stuff from Target and Old Navy.

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But I can design some bitchn’ sleeves

Piping has been applied in all the places it’s supposed to be. Well, not the sleeves, since I needed to design them first. Speaking of which, I’m going to pat myself on the back for figuring out these sleeves entirely on my own, no patterns, no friends helping, nothin’. They’re not all that complicated, but they’re not all that plain either. And of course, I haven’t constructed the actual ones in the actual fabric yet. But I drew my own patterns after looking at stuff on books, then I made 3 mockups until I liked the look of stuff. Going from a drawing to fabric, booyah!

Eugenie sleeve mockup

Eugenie sleeve mockup

I still don’t drape, but hey, I made my own sleeves.

The to-do list for this costume is steadily shrinking. The real biggies will be the presentation and documentation, but for the first, it’s mostly Thomas recording stuff, and the later, I even have a very rough draft written already.

Oh damn. There’s Thomas’ costume and documentation. Frickity-frack. Well, we kinda know what he’s going to wear (Bridget has to bring over some stuff for him to try out), and I know what I’ll write for his documentation. Honestly, he’s just a prop for our presentation. But they’re being nit-picky this year and every single person on stage for the historical masquerade has to go through workmanship judging, needs documentation, etc.

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Status report with mockup, on our Y!Group

Eugenie bodice mockup

Eugenie bodice mockup

Didn’t someone suggest that the shorties (like, ehem, Sarah and me) wear a little bit of a heel? If so, I have simple black pumps with louie heels that would work.

I’ll also keep trolling my thriftstore for white that I can dye to match my gown, but there’s enough black lace on mine that black shoes work, imo.

Otherwise, I have the main silk and lace, still looking for the fussy little lace trims on the bodice. I bought faux flowers to rip apart and wire for the bodice corsage and hat. I have some tulle for the hat.

Also, anyone know a good, not horribly expensive source for medium-width black silk ribbon? because I assume you’d all kill me if I used the stuff from Jo-Ann’s on this gown :-) Just keep in mind I’m broke. But my skirt has 6 rows of ribbon on the hem.

Oh, need a hat too. Thrift-hunting isn’t turning up anything big enough with a fine weave.

I have the bodice pattern that Kendra and Sarah helped with. I have a corset and a bridal hoop, plus a mostly finished over-hoop petticoat.

Whew. So much still to go. But I’m on it, srsly!

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