
I have no idea what this means. MATH IS HARD YO I’M AN ENGLISH MAJOR.

Mom tested out the theory in paper scraps. Unlike me, who would have dived right in, cutting up fabric & hoping it worked, & then failing miserably.
Now, I wasn’t going to make the whole outfit from harlequin fabric — my concept was a black 18th-c. dress with a harlequin petticoat and stomacher. Kind of a robe a l’anglaise or a round gown, very simple in shape, so the harlequin accents can shine. I had a fairly recent 18th-c. bodice drape that I could have used, but I wasn’t feeling confident about time since I was working on Leonard’s black and leopard-print outfit. So I hired Sarah to make the gown itself. Wise choice, because with a mere two fittings, it came out perfect! I just added deep lace sleeve ruffles, then ruffled silk trim topped with a heavy glass gem trim along the front, neckline, and sleeves.

Strip of pinked silk, topped by sparkly trim from AliExpress.

Such a pretty black gown!
By Christmas 2019, Mom had finished the harlequin fabric, making it from black, purple, and pink silks I’d given her. I attached the fabric to a plain black petticoat I made for the purpose, and turned the smaller section into a simple stomacher that could be pinned over the front of the gown.
In Italy on the trip, I found a fantastic purple and black harlequin mask at one of Antonia Sautter’s workshops and intended to wear this with the outfit. But I was running late as I was getting ready. I also hoped to wear the mask with this outfit at Portland’s Vampire Masquerade Ball, but 2020’s event was (wisely) canceled, so that’s shelved until the next event.
I only wore this outfit to La Fenice Opera in Venice on our final night of Carnevale 2020, and I really want to wear it again!

Leia, Kendra, Lisa, & I in front of the opera house.
Lovely. Your mom is the best. The paper pattern she created is wonderful.
She’s pretty amazing!