My coat for 12th Night is getting quite close to done. Needs hemming & a short collar. But I will probably go sleeveless at this point. See, I still have this crazy idea to wear it over the 1530s gown as more of a giornéa or perhaps it might be called a cioppa — either
I didn’t plan on making anything new to wear at 12th Night because I just made a nifty new 1530s dress for Collegium, so of course I wanted to wear that. But I was asked to join the court of Obidiah & Ascelin, and her royal highness requested a festive, wintery 16th-century theme for their
After owning a fancy new sewing machine that does embroidery for nearly half a year, I finally got around to testing said capabilities just this week. I was spurred on by two things: 1) I was finished with Collegium so I had time & 2) a new group popped up on Facebook devoted to historical
This is the gown I made to portray Veronica Gambara, the hostess of the “Feast in 1530s Correggio” at the SCA’s Collegium Occidentalis XLVII. I was running the event and wanted to cap off the day with a festive meal set in a specific time and place in history (which is not typically done in
I can’t believe how fast this gown went together! Ok, it didn’t hurt that I essentially had the patterns already done. But the sewing was all straightforward stuff, nothing complicated. Attaching the parts together was really just a lot of cartridge-pleating, which I find easy — well, tough on the fingers, and yes, blood was
There’s not much to show for it, but really, I’ve started and am, in fact, well on the way with my gown to portray Veronica Gambara at the Collegium class “A Feast in 1530s Correggio.” The gown is a loose interpretation of the portrait shown on the right. Except I’m using burgundy velveteen from The
As I last blogged, I needed a partlet for my Venetian courtesan gown. Well, here it is. I ended up going the simple route because I had a spectacular fail when I attempted a fancy ruff neckline. The saving grace is that it was easy to just hack the whole thing off for this no-neck
For the upcoming renfaire Much Ado About Sebastapol, I need a partlet to wear with my Venetian courtesan gown when I perform with Bella Donna. This small addition to my outfit will make it even more historically accurate & a bit less, um, busty, which is better for this very family-friendly faire. So I looked
Sometimes, you don’t have time to sew. Or there are certain things you just don’t care to sew for yourself. Or you realize that someone, out there, somewhere is making & selling something better than you could sew & for a price that is more reasonable than you tearing out your hair to attempt to
Well, I’ve scrapped plans to make anything new for Costume College, & I’m forging ahead on future plans: for renfaire & Collegium. Which is far more practical anyway. Ok, Collegium is, since I’m running the event, thus any personal costuming should be done in advance so I can concentrate on event details. For renfaire, new
It’s a known fact that I love wacky hairstyles (also, hats). Big, weird shapes sprouting off one’s head please me inordinately. So naturally, I’ve been drawn to the horn-shaped style worn by Venetian upper-class women in the mid- to late-16th-century. I’ve given one try at making hairpieces to replicate this style, tho’ I’m not quite
At the Valhalla Renaissance Faire, I wore the completed & “proper” version of my Venetian courtesan gown, this one made in a luscious raspberry-colored silk damask that I’d hunted for months to find (& oi, it wasn’t cheap! but sooooo pretty!). Sarah made the gown, same pattern she designed for the tourney version, & I
At the start of this week, Sarah dropped off my new Venetian courtesan gown. This is the “real” version, in the expensive silk damask, as opposed to the tourney version in cotton damask. I need to hem & trim the gown & make the sleeves. The first two tasks are pretty straightforward, but the sleeves
This is the first version of my Venetian courtesan gown, made by Sarah. We decided to do a test-run in tourney-friendly cotton damask fabric to make sure the pattern worked before cutting into the $38/yard silk. Also, who doesn’t love having two dresses? Sarah draped the bodice based on period designs with some specific tweaks
New costumes start from the skin out, so that means new undies. Sure, I have shifts / smocks / chemises (depending on how historically accurate you want to be & which specific century you’re talking about). But for playing a Venetian courtesan at renaissance faires this year, I needed a specific type of undershirt, the