In May, I was honored to be chosen as one of Queen Etaine’s artisans. In the SCA’s West Kingdom, the Queen’s Artisans are people (non-Laurels) recognized for their artistic ability and usually given some creative goal to work on during the reign. Since Etaine is a costuming Laurel, she had a very specific and exciting
I don’t have any sewing progress photos because I’m just going, going, going. Also, the black francaise took up permanent residence on my dressform for months, so I couldn’t photograph anything else effectively (I tried some iPhone mirror pix in the middle of fitting stuff on myself, & wow, those sucked). The to-do list for
At first, when one of my BFFs Sarah said she was having her birthday party at Castello di Amoroso & asking people to come in medieval costume, I figured, whatever, I’ll wear some of my usual 16th-century garb. It’s what I like, she wouldn’t mind, & it would fit in at the 14th-century-style Italian castle
I completely failed to get photos on my own camera at 12th Night, but luckily friends took a few nice pictures of my new outfit. Here is my sleeveless zimarra worn with the 1530s gown (no, not historically accurate, but the combo looked nice for one event :), and I even whipped up a new
My coat for 12th Night is getting quite close to done. Needs hemming & a short collar. But I will probably go sleeveless at this point. See, I still have this crazy idea to wear it over the 1530s gown as more of a giornéa or perhaps it might be called a cioppa — either
I didn’t plan on making anything new to wear at 12th Night because I just made a nifty new 1530s dress for Collegium, so of course I wanted to wear that. But I was asked to join the court of Obidiah & Ascelin, and her royal highness requested a festive, wintery 16th-century theme for their
After owning a fancy new sewing machine that does embroidery for nearly half a year, I finally got around to testing said capabilities just this week. I was spurred on by two things: 1) I was finished with Collegium so I had time & 2) a new group popped up on Facebook devoted to historical
This is the gown I made to portray Veronica Gambara, the hostess of the “Feast in 1530s Correggio” at the SCA’s Collegium Occidentalis XLVII. I was running the event and wanted to cap off the day with a festive meal set in a specific time and place in history (which is not typically done in
I can’t believe how fast this gown went together! Ok, it didn’t hurt that I essentially had the patterns already done. But the sewing was all straightforward stuff, nothing complicated. Attaching the parts together was really just a lot of cartridge-pleating, which I find easy — well, tough on the fingers, and yes, blood was
There’s not much to show for it, but really, I’ve started and am, in fact, well on the way with my gown to portray Veronica Gambara at the Collegium class “A Feast in 1530s Correggio.” The gown is a loose interpretation of the portrait shown on the right. Except I’m using burgundy velveteen from The
This is the first version of my Venetian courtesan gown, made by Sarah. We decided to do a test-run in tourney-friendly cotton damask fabric to make sure the pattern worked before cutting into the $38/yard silk. Also, who doesn’t love having two dresses? Sarah draped the bodice based on period designs with some specific tweaks
Some time ago, my good friend Sarah collected some historical images documenting 16th-century women wearing crowns, because it often seems like a rare thing. We see queens & female nobility of earlier eras decked in towering regalia, but crowns / coronets / tiaras / diadems & the like almost go out of fashion for the
I wore the completed heuke & the Flemish gown at the SCA March Crown, & everything worked wonderfully! The weather was supposed to be rainy, but it ended up overcast yet dry until we were ready to leave that night. However, it was windy all day, giving the heuke a real workout & proving that,
I’ll have to sew every night this week, but I *will* be wearing that damn duck-billed cap thingy & the Flemish gown at March Drown Crown this weekend! There’s a 50% chance of rain predicted at the site, plus chilly temps, so I’ll be glad of all the wool & cape-like layers. No time to
Buying clothing second-hand is very well-documented in the 16th century, and really, in most eras. Clothing and fabric were big investments before the post-World-War-II manufacturing boom that lead to our current state of disposable fast fashion. If a garment could be used again, it was. Best dresses became second-best or everyday dresses, garments were altered